At last we arose above the vexation of wasps. It was a matter of altitude, however, rather than of fortitude. All about us lay the jagged back-bones of ranges, as far as the eye could see, thrusting their pinnacles into the trade-wind clouds. Under us, from the way we had come, the Snark lay like a tiny toy on the calm water of Taiohae Bay. Ahead we could see the inshore indentation of Comptroller Bay. We dropped down a thousand feet, and Typee lay beneath us. “Had a glimpse of the gardens of paradise been revealed to me I could scarcely have been more ravished with the sight”—so said Melville on the moment of his first view of the valley. He saw a garden. We saw a wilderness. Where were the hundred groves of the breadfruit tree he saw? We saw jungle, nothing but jungle, with the exception of two grass huts and several clumps of cocoanuts breaking the primordial green mantle. Where was the Ti of Mehevi, the bachelors’ hall, the palace where women were taboo, and where he ruled with his lesser chieftains, keeping the half-dozen dusty and torpid ancients to remind them of the valorous past? From the swift stream no sounds arose of maids and matrons pounding tapa. And where was the hut that old Narheyo eternally builded? In vain I looked for him perched ninety feet from the ground in some tall cocoanut, taking his morning smoke. The scenery between Vieiras’s (where the Kaupo Gap empties into the sea) and Lana, which we covered in half a day, is well worth a week or month; but, wildly beautiful as it is, it becomes pale and small in comparison with the wonderland that lies beyond the rubber plantations between Hana and the Honomanu Gulch. Two days were required to cover this marvellous stretch, which lies on the windward side of Haleakala. The people who dwell there call it the “ditch country,” an unprepossessing name, but it has no other. Nobody else ever comes there. Nobody else knows anything about it. With the exception of a handful of men, whom business has brought there, nobody has heard of the ditch country of Maui. Now a ditch is a ditch, assumably muddy, and usually traversing uninteresting and monotonous landscapes. But the Nahiku Ditch is not an ordinary ditch. The windward side of Haleakala is serried by a thousand precipitous gorges, down which rush as many torrents, each torrent of which achieves a score of cascades and waterfalls before it reaches the sea. More rain comes down here than in any other region in the world. In 1904 the year’s downpour was four hundred and twenty inches. Water means sugar, and sugar is the backbone of the territory of Hawaii, wherefore the Nahiku Ditch, which is not a ditch, but a chain of tunnels. The water travels underground, appearing only at intervals to leap a gorge, travelling high in the air on a giddy flume and plunging into and through the opposing mountain. This magnificent waterway is called a “ditch,” and with equal appropriateness can Cleopatra’s barge be called a box-car.!

The difference between the two positions was something like eighty miles. Yet we knew we had not travelled twenty miles. Now our figuring was all right. We went over it several times. What was wrong was the observations we had taken. To take a correct observation requires practice and skill, and especially so on a small craft like the Snark. The violently moving boat and the closeness of the observer’s eye to the surface of the water are to blame. A big wave that lifts up a mile off is liable to steal the horizon away. In order to have some distraction, she asked leave to receive the visits of her nephew Victor.

And suddenly, out there where a big smoker lifts skyward, rising like a sea-god from out of the welter of spume and churning white, on the giddy, toppling, overhanging and downfalling, precarious crest appears the dark head of a man. Swiftly he rises through the rushing white. His black shoulders, his chest, his loins, his limbs—all is abruptly projected on one’s vision. Where but the moment before was only the wide desolation and invincible roar, is now a man, erect, full-statured, not struggling frantically in that wild movement, not buried and crushed and buffeted by those mighty monsters, but standing above them all, calm and superb, poised on the giddy summit, his feet buried in the churning foam, the salt smoke rising to his knees, and all the rest of him in the free air and flashing sunlight, and he is flying through the air, flying forward, flying fast as the surge on which he stands. He is a Mercury—a brown Mercury. His heels are winged, and in them is the swiftness of the sea. In truth, from out of the sea he has leaped upon the back of the sea, and he is riding the sea that roars and bellows and cannot shake him from its back. But no frantic outreaching and balancing is his. He is impassive, motionless as a statue carved suddenly by some miracle out of the sea’s depth from which he rose. And straight on toward shore he flies on his winged heels and the white crest of the breaker. There is a wild burst of foam, a long tumultuous rushing sound as the breaker falls futile and spent on the beach at your feet; and there, at your feet steps calmly ashore a Kanaka, burnt, golden and brown by the tropic sun. Several minutes ago he was a speck a quarter of a mile away. He has “bitted the bull-mouthed breaker” and ridden it in, and the pride in the feat shows in the carriage of his magnificent body as he glances for a moment carelessly at you who sit in the shade of the shore. He is a Kanaka—and more, he is a man, a member of the kingly species that has mastered matter and the brutes and lorded it over creation. She did not know what to reply and wished to run away. He could not follow any profession as he was absorbed in drinking. His mother paid his debts and he made fresh ones; and the sighs that she heaved while she knitted at the window reached the ears of Felicite who was spinning in the kitchen.